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ТЕОРИИ, КОНЦЕПЦИИ, ПАРАДИГМЫ / THEORIES, CONCEPTIONS, PARADIGMS / THEORIEN, KONZEPTIONEN, PARADIGMEN

Белоусов С.Л. Водный мир в живописной традиции итальянского Возрождения. Часть 3. «Гроза» Джорджоне

Белоусов Сергей Львович, кандидат искусствоведения

E-mail: morphogenesis@yandex.ru

Третья статья в цикле публикаций о картинах итальянских художников XV—XVI вв. посвящена полотну Джорджоне «Гроза» из венециансой Академии. В интерпретации автора сюжет картины представляется характерным для Ренессанса живописным «попурри» из четырёх мифологических историй: Св. Теодора и Св. Варвары, Мензолы и Каллисто из «Фьезоланских нимф» Дж. Боккаччо.

Ключевые слова: «Гроза» Джорджоне, «Фезоланские нимфы» Дж. Боккаччо, Св. Теодор, Св. Варвара, история Флоренции, Падуя.

Литература:

1.                                                    Белоусов С.Л. Водный мир в живописной традиции итальянского Возрождения. Часть 1. «Святое собеседование» Джованни Беллини [Электронный ресурс] // Электронное научное издание Альманах Пространство и Время. 2013. Т. 3. Вып. 2. Режим доступа: http://e-almanac.space-time.ru/assets/files/Tom%203%20Vip%202/rubr2-teorii-koncepcii-paradigmy-st4-belousov-2013.pdf.

2.                                                    Белоусова Н.А. Джорджоне. Очерки о творчестве М.: Изобразительное искусство, 1982.

3.                                                    Боккаччо Д. Фьяметта. Фьезоланские нимфы. М.: Наука, 1968. (Серия «Литературные памтники»).

4.                                                    Лазарев В.Н. Старые итальянские мастера. М.: Искусство, 1972.

5.                                                    Холл Д. Словарь символов и сюжетов в искусстве. М.: КРОН-ПРЕСС, 1999.

6.                                                    Carroll L.L. "Who's on Top? Gender as Societal Power Configuration in Italian Renaissance Drama." The Sixteenth Century Journal (1989): 531–558.

7.                                                    De Appolonia G. "Justice and Judgement in the Romanesque Column-Bearing Lions of Northern Italy." IKON 2.1 (2009): 167–176.

8.                                                    De Voragine J. The Golden Legend. Trans. G. Ryan and H. Ripperger, New York: Arno Press, 1969.

9.                                                    Goldsmith E.E. Sacred Symbols in Art. New York and London: GP Putnam's sons, 1911.

10.                                                Haseloff A. Pre-Romanesque Sculpture in Italy. Firenze: Pantheon casa editrice, 1930.

11.                                                Kaplan P. "The Storm of War: The Paduan key to Giorgione's Tempesta." Art History 9.4 (1986): 405–427.

12.                                                Lowenstein T. La Tempesta's X-ray. London: Many Press, 1980.

13.                                                Osborne J. "Politics, Diplomacy and the Cult of Relics in Venice and the Northern Adriatic in the First Half of the Ninth Century." Early Medieval Europe 8.3 (1999): 369–386.

14.                                                Riches S.J.E., Salih S., eds. Gender and Holiness: Men, Women and Saints in Late Medieval Europe. London: Routledge, 2002.

15.                                                Rosand D. Myths of Venice: The Figuration of a State. Chapel Hill, NC: University of North Carolina Press, 2005.

16.                                                Schier R. "Giorgione's Tempesta: A Virgilian Pastoral." Renaissance Studies 22.4 (2008): 476–506.

17.                                                Sheard W.S. "Giorgione's Tempesta: External vs. Internal Texts." Italian Culture 4.1 (1983): 145–158.

18.                                                Settis S. Giorgione's Tempest: Interpreting the Hidden Subject. Chicago: University of Chicago Press, 1994.

19.                                                Stefaniak R. "Of Founding Fathers and the Necessity of the Place: Giorgione's Tempesta." Artibus et Historiae (2008): 121–155.

20.                                                Thomson de Grummond N. "Giorgione’s Tempesta: The Legend of St. Theodor." Arte 18-19/20 (1972): 5–53.

21.                                                Walter C. "Theodore, Archetype of the Warrior Saint." Revue des études byzantines 57.1 (1999): 163-210.

The Imagination of Water in the Italian Renaissance Painting.

Part Three. Giorgione's Tempesta

Sergei L. Belousov, Art.D.

E-mail: morphogenesis@yandex.ru

22.     

Symbols decryption of Italian Renaissance great masters' paintings is an important task not only for a better understanding of their works. Knowledge of those symbols allows to see anew all of the Renaissance semantic space and culture, as well as rethink major worldview paradigms of this epoch.

This article is the third in publication series about the paintings of famous Italian artists of the XV—XVI centuries. Symbolic images in Giorgione's Tempesta and their possible interpretation are the subject of my articles. To identify the art program of Giorgione's Tempesta I have used the method of historical and semantic analysis. I also had used as a starting point the identifications by N. Thomson de Grummond (1972) and N.A. Belousova (1982).First of them argued the plot of Giorgione's Tempesta is connected with the legend about St. Theodore, while the second art historian demonstrated the link between symbolics of picture and the plot of Nymphs of Fiesole by Giovanni Boccaccio.

After analyzing the symbolic details of the painting, I have come to the conclusion its plot is a picturesque ‘potpourri’ of the four mythological stories: of St. Theodore and St. Barbarians, as well as Menzola and Callisto from Boccaccio's novella. Such potpourri is rather typical for the Renaissance. My second conclusion is regarding of randomness of details coincidence in Giorgione's Tempesta with certain elements of the Padua topography.

Keywords: Giorgione's Tempesta, Nymphs of Fiesole by Giovanni Boccaccio, St. Theodore, St. Barbarians, history of Florence, Padua.

References:

Belousov S.L. "The Imagination of Water in the Italian Renaissance Painting. Part One. ‘Sacra Conversazione’ by Giovanni Bellini." Elektronnoe nauchnoe izdanie Al'manakh Prostranstvo i Vremya [Electronic Scientific Edition Almanac Space and Time]  4.2(1) (2013). Web. <http://e-almanac.space-time.ru/assets/files/Tom%203 %20Vip%202/rubr2-teorii-koncepcii-paradigmy-st4-belousov-2013.pdf>. (In Russian).

Belousova N.A. Giorgione. Essays on Creativity. Moscow: Izobrazitelnoe iskusstvo, 1982. (In Russian).

Boccaccio G. The Elegy of Lady Fiammetta. Nymphs of Fiesole. Moscow: Nauka Publisher, 1968. (In Russian)/

Carroll L.L. "Who's on Top? Gender as Societal Power Configuration in Italian Renaissance Drama." The Sixteenth Century Journal (1989): 531–558.

De Appolonia G. "Justice and Judgement in the Romanesque Column-Bearing Lions of Northern Italy." IKON 2.1 (2009): 167–176.

De Voragine J. The Golden Legend. Trans. G. Ryan and H. Ripperger, New York: Arno Press, 1969.

Goldsmith E.E. Sacred Symbols in Art. New York and London: GP Putnam's sons, 1911.

Haseloff A. Pre-Romanesque Sculpture in Italy. Firenze: Pantheon casa editrice, 1930.

Hall J. Dictionary of Subjects and Symbols in Art. Moscow: KRON-PRESS Publisher, 1999. (In Russian).

Kaplan P. "The Storm of War: The Paduan key to Giorgione's Tempesta." Art History 9.4 (1986): 405–427.

Lazarev V.N. Old Italian Masters. Moscow: Iskusstvo Publisher, 1972. (In Russian).

Lowenstein T. La Tempesta's X-ray. London: Many Press, 1980.

Osborne J. "Politics, Diplomacy and the Cult of Relics in Venice and the Northern Adriatic in the First Half of the Ninth Century." Early Medieval Europe 8.3 (1999): 369–386.

Riches S.J.E., Salih S., eds. Gender and Holiness: Men, Women and Saints in Late Medieval Europe. London: Routledge, 2002.

Rosand D. Myths of Venice: The Figuration of a State. Chapel Hill, NC: University of North Carolina Press, 2005.

Schier R. "Giorgione's Tempesta: A Virgilian Pastoral." Renaissance Studies 22.4 (2008): 476–506.

Sheard W.S. "Giorgione's Tempesta: External vs. Internal Texts." Italian Culture 4.1 (1983): 145–158.

Settis S. Giorgione's Tempest: Interpreting the Hidden Subject. Chicago: University of Chicago Press, 1994.

Stefaniak R. "Of Founding Fathers and the Necessity of the Place: Giorgione's Tempesta." Artibus et Historiae (2008): 121–155.

Thomson de Grummond N. "Giorgione’s Tempesta: The Legend of St. Theodor." Arte 18-19/20 (1972): 5–53.

Walter C. "Theodore, Archetype of the Warrior Saint." Revue des études byzantines 57.1 (1999): 163-210.

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